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One way of looking at the book, then,вЂќ commented Harry B. Eventually, Maud takes a stand for her own dignity by turning her back on a patronizing, racist store clerk. Maud suffers prejudice not only from white people but also from lighter-skinned African Americans, something that mirrored BrooksвЂ™s experience. In the 1950s Brooks published her first and only novel, Maud Martha (1953),В which details its title characterвЂ™s life in short vignettes. Langston Hughes, in a review of Annie Allen for Voices,В remarked that вЂњthe people and poems in Gwendolyn BrooksвЂ™ book are alive, reaching, and very much of today.вЂќ Several critics welcomed Brooks as a new voice in poetry fellow poet Rolfe Humphries wrote in the New York Times Book ReviewВ that вЂњwe have, in A Street in Bronzeville,В a good book and a real poet,вЂќ while Saturday Review of LiteratureВ contributor Starr Nelson called that volume вЂњa work of art and a poignant social document.вЂќ In Annie Allen,В which follows the experiences of a Black girl as she grows into adulthood, Brooks married social issues, especially around gender, with experimentation: one section of the book is an epic poem, вЂњThe AnniadвЂќ-a play on The Aeneid.

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Brooks once described her style as вЂњfolksy narrative,вЂќ but she varied her forms, using free verse, sonnets, and other models. Barksdale in Modern Black Poets: A Collection of Critical Essays. Her poems in A Street in BronzevilleВ and the Pulitzer Prize-winning Annie AllenВ (1949) were вЂњdevoted to small, carefully cerebrated, terse portraits of the Black urban poor,вЂќ commented Richard K. After attending junior college and working for the National Association for the Advancement of Colored People, she developed her craft in poetry workshops and began writing the poems, focusing on urban Black experience, that comprised her first collection, A Street in Bronzeville (1945). Brooks was 13 when her first published poem, вЂњEventide,вЂќ appeared in American Childhood В by the time she was 17 she was publishing poems frequently in the Chicago Defender,В a newspaper serving ChicagoвЂ™s African American population. They were supportive of their daughterвЂ™s passion for reading and writing.

Her father was a janitor who had hoped to become a doctor her mother was a schoolteacher and classically trained pianist. Not only has she combined a strong commitment to racial identity and equality with a mastery of poetic techniques, but she has also managed to bridge the gap between the academic poets of her generation in the 1940s and the young Black militant writers of the 1960s.вЂќД«rooks was born in Topeka, Kansas, but her family moved to Chicago when she was young. Kent, вЂњa unique position in American letters. Her body of work gave her, according to critic George E. Many of BrooksвЂ™s works display a political consciousness, especially those from the 1960s and later, with several of her poems reflecting the civil rights activism of that period. She also was poetry consultant to the Library of Congress-the first Black woman to hold that position-and poet laureate of the State of Illinois. She was a much-honored poet, even in her lifetime, with the distinction of being the first Black author to win the Pulitzer Prize. Gwendolyn Brooks is one of the most highly regarded, influential, and widely read poets of 20th-century American poetry.

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